Simon Little

Hello folks

I thought this would be a good time to drop a quick post to let you all know that I have recently made all my solo recordings “pay what you want” on Bandcamp. This means that you can pay whatever you think the music is worth to you. If you want to grab an album for free you can. If you want to make a contribution you can pay whatever you like. A good guide would be around 50p per track but it is entirely up to you.

I currently have three solo records out there and one EP. Many of you will be familiar with my first record Mandala which I put out in 2010. This was the result of my early experiments with live-looping and the culmination of a good few years tinkering with the technology. There are still CDs of Mandala available via Bandcamp for the bargain price of five pounds. If you want one signed, just let me know when you buy the record!

The Rejectamenta EP followed in 2011 as a teaser for the next album. That was always available as PWYW, so I’m guessing if you’ve been following my music you’ll have that one already! This was followed by The Knowledge Of Things To Come later in the year. This record was a lot more glitchy and in your face than Mandala and was a bit more progressive in the use of live looping as a compositional device. No CDs of that one I’m afraid…

And finally we have the ‘acoustic’ album [un]plugged, recorded on that rare breed of instruments; the acoustic bass guitar. I really like this record and whatever shape the next record takes I can imagine it will be along these lines. I went for a far purer sound his time with fewer bells and whistles sonically to let the sound of the instrument shine through. It was pretty well-received when it came out in 2012.

So there you have it. A whole bunch of music for whatever you want to pay for it. About three and a half hours of bassy goodness to rattle your speakers. If you do feel like making a contribution for the records you can rest assured that it all goes back into making more music. Although it doesn’t cost me much financially to put an album together the way I work, the gear is frankly bloody expensive!

So why have I decided to switch to PWYW on Bandcamp at this stage? you may ask. Well a number of artists that I have a lot of respect for have been using this payment model for a number of years now and it’s something I’ve been meaning to try out. It gives  listeners the opportunity to consider the value of the music they listen to and take a punt on something new. All these records are on Spotify too.

So tell your friends that this music is out there. Bandcamp has a plethora of sharing options for you to shout about the music you love so it’s all very easy. And if you do pay something for the music you’ll appear in the ‘supported by’ section directly under the album artwork. If you add a review that’ll pop up too. Bandcamp has become such a fantastic site for artists and fans alike over the last couple of years. In fact I wrote a blog post about the new Fan Pages a little while ago which is worth a quick read if you’re unfamiliar with all the new features. I’m rather proud of how my fan page is coming along!

So go forth people! If you really want to support this music why not buy a CD of Mandala? Christmas will be upon us before you know it! I shall start thinking about the next record. If you have any requests or suggestions, let me know.

Until then…

Whether you’re a music fan or an artist, the brand new fan pages from Bandcamp are really rather exciting.

Now anyone that has bought music via Bandcamp can sign up for a free fan page where they can showcase their music collection and browse the collections of other like-minded music lovers to discover new records. Yet again Bandcamp has come up with a clean, simple and effective system where iTunes has failed. The ill-fated iTunes Ping service lasted all of five minutes with it’s fussy interface and attempt at creating a social network, and now Bandcamp has managed to achieve a fully integrated music recommendation system without detracting from its core values or functionality. Here’s what my fan page looks like today (you can click on the link if you want to follow me!):

As you can see, you get a really straightforward page showcasing the music you’ve bought on Bandcamp. You can show or hide whatever you like on your page, add reviews/comments to albums and select your favourite track for the player. You can follow both artists (which automatically signs you up to their mailing lists and lets you know when they release new records) as well as your friends and other fans so you get notified when they buy new music. And once you’re signed up as a fan, a little thumbnail of your profile picture will appear beneath any album you’ve recently bought on the artist’s page in the ‘supported by‘ section, as will any comments you’ve added as a recommendation.

This new feature has benefits for both fans and artists…

Fans now have access to a great music recommendation and discovery system for all the excellent independent music available via Bandcamp. Since they introduced the Discover feature last June, Bandcamp has steadily improved the way in which new music can be discovered in it’s vast library. Artists have been able to add up to three albums in their recommended section, which now features on their band page:

Fans can now be notified immediately when their favourite artists release new music or their friends buy a new record. And now you can show off your impeccable taste in your own personal corner of Bandcamp, and publicly show your support for your favourite artists. You can see who else has bought a particular record and explore the rest of their collection. There is also now a wishlist which enables you to save albums you’ve found that you might like to come back to and purchase at a later date. All of these functions are presented in the most straightforward way with an excellent UI. Marvellous…

Artists can now engage more with their fans and other artists alike. Fans are incentivised to pay for your music so they feature on your page as supporters and showcase your music in their collection (free downloads don’t offer these possibilities). Your music can now be found via genre and tag searches, artist recommendations and fan pages. You can expand your mailing list as people start following you and automatically gain access to your fanbase when you really need to; when you release new music.

Bandcamp describes the fan accounts as “a social music discovery system based on the high-friction concept of ownership“. The idea being to involve fans at a level greater than simply pressing a ‘Like’ button or scrobbling plays on last.fm, and thus engage more with a sense of community and support for the artists they love.

So in a nutshell, You Need This!!! If you’ve ever bought music via Bandcamp (and hopefully most of you reading this will have bought one of my records at least!) you should sign up for a fan page immediately. It’s dead easy and it gives you instant access to a whole world of music discovery. I’ve already found a few little gems purely through browsing my friend’s collections and the recommended pages of my favourite artists. The worst thing that could happen is that you end up blowing loads of money on some great new music…

If you have yet to use Bandcamp to purchase music, I shall of course suggest checking out my latest solo release [un]plugged and our new trio recording Foreground Music, Vol. I with Jez Carr and Mike Haughton. Of course. What better way to start your collection and connect with other music lovers? Enjoy…

Hey guys

Well, you asked for it so here it is. This post does once again come with an Amber Geek-Alert. You have been warned…

Since I released my latest album [un]plugged a few weeks ago I’ve been getting a lot of questions about the artwork. This is the third release for which I’ve put together my own cover art. So for those of you that wondered; here’s the process I used this time.

Those of you that know me well or follow me on Instagram (@simonlittlebass) will be very much aware of my little obsession with iPhoneography; that is, the art and technology of iPhone-based photography and photo-editing. So it will not surprise you that the [un]plugged cover was almost entirely put together on my iPhone. Only the text was added separately using Gimp for Mac (a free and rather excellent image editing program), and that’s only because I haven’t found the right iPhone app(lication) yet…

1. I started out with an image of what is left of Gotham City Hall in Six Flags New Orleans. Hit by Hurricane Katrina in 2005, the site is set for demolition. I edited this image with the fantastic iPhone app(lication) Snapseed to give it a more gothic feel and darken the sky. I always start with the crop and auto-correct functions, then play about with the Tune Image settings and Drama filters. I think I may have also used the Tilt-Shift to add focus to the centre of the image. The first stage looked like this…

2. I then put this image through Tiny Planets. This is a fun little app(lication) that twists an image one of two ways into a circular pattern. I mess about with this a lot. The results are pretty haphazard at best and you have no real control over the final image but occasionally it comes up trumps. The resulting image looks like this:

3. It was at this stage that I transfered to my laptop and added the text to the bottom right corner. Gimp also allows use to match the colour of text with a colour from the image itself. I went with one of the grungy grays from the building.

4. I then immediately went back to the iPhone (!) and put this image through ScratchCam. This is an excellent app(lication) if you have time to fiddle with it and download all the extra filters (which are all free but not included in the initial download). I tend to use the random button to generate a few different options as a starting point and then edit in more detail from there. This is how I got the folded and torn look…

5. Now, as you can see here, the image became rather washed out in ScratchCam so I went back to Snapseed and essentially repeated the steps in mentioned earlier; mainly using the Tune Image and Drama functions to bring the colours out once more. The resulting image is the final cover art which we all know and love.

Hope this answers some of your questions regarding the artwork. I love the fact that you can manipulate images to this degree and sophistication on a mobile phone. I’ve been playing around with the applications a great deal over the last year and am only just starting to scratch the surface. As for the musical applications, well that is another post entirely…

Hope you’re all enjoying the album and don’t forget to tell your friends and help spread the word.

Just out of interest, here’s a couple of other images I put through Tiny Planets so you can get some idea of the possibilities. Out of the applications I use regularly, this one is the least consistent but often comes up with the most surprising results (Both these images were heavily edited in either Snapseed or Iris before being run trough Tiny Planets)…

Until next time…