Simon Little

*Bass Geek Alert*

Some non-bass players might find this post a bit boring. You have been warned…

Hello folks,

I’ve just got home from one last stint of hardcore concentrated bass shopping and thought I’d post a picture of the results…

Oh yes indeed folks; I’ve bought another one! After many years of really not getting on with Precision basses, even though they are the staple for most bass players and producers, I endeavored to find one that I liked. A few months ago a had the great pleasure of playing a Custom Shop Pino Palladino Signature Precision at Guitar Amp & Keyboard (GAK) in Brighton. Totally fell in love with it. It looked and played like the best vintage Fender you’ll ever find (and I’ve tried loads), but it was bloody expensive. Try £2329.00. Ouch.

After much deliberation I decided to go back to Brighton last week and see if I could make them an offer. But guess what? They’d only gone and sold it! Yep, very irritating indeed as it was (and is) still advertised on  their website. Their offer to order me another from Fender proved less than welcome when they told me it would probably take a year…

So I sat down and tried all their other Precision basses. Including the cheapo ones just in case. It’s always worth trying out the opposite end of your price range (both upwards and down) when buying a new instrument so you have something to compare it to. I wanted to see whether a bass that was half the price of the Pino (which was virtually all of them) was up to the same standards. Eventually I played the 60th Anniversary model and really liked it. Not wanting to rush in I left it there to have a think…

In the meantime I tried out a few other tasty basses including a rather lovely if slightly weighty red 80’s P-Bass at The Gallery in Camden (the best bass shop in the world!). Check it out if you’re in the area. I discovered that another 60th Anniversary bass was located at Guitar Guitar in Epsom, which frankly I didn’t know existed. I’d been to the Glasgow shop many times as it’s right opposite where we used to rehearse with Maggie Reilly but had no idea there were other branches. It’s a great shop folks; massive selection and they have great little practice booths for trying out gear. I highly recommend you check it out if you’re in the area.

Anyway, I tried another bunch of p-basses against the 60th Anniversary. Was torn between that and a lovely Japanese 70’s Reissue which also sounded great and came in a good few hundred quid cheaper…

Eventually I decided the 60th Anniversary model had a superior retro tone across the board, although the Japanese bass had a lovely warm  punch to it. So I bought the 60th Anniversary bass. And am very happy with it indeed. Looking forward to putting it to work instantly. I might even play it at Friday’s gig at Pizza Express Jazz Club with Nina Ferro (which you should all come to by the way!).

Until next time…

Many of you, especially musicians, will already be aware of Westminster Council’s plans to introduce evening and Sunday parking charges in London’s West End later this year. This simply cannot be allowed to happen.

Until now there has always been free meter and single yellow spaces after 6.30pm and on Sundays. Like there are all around the country. Westminster Council proposes to scrap the free parking period until midnight during the week and up to 6.30pm on Sundays. They also plan to put the hourly parking rate up to a preposterous £5.00 an hour.

There has already been strong protest from local businesses, musicians and Westminster churchgoers, many of whom travel from outside the parish to attend services on a Sunday morning. I first heard talk of these proposals at the beginning of the year and assumed the plans had since been quashed but yesterday I learnt the plans were still being pushed through to be implemented towards the end of the year.

In these times of cutbacks in arts funding these measures will have serious impact on the currently thriving music and theatre scene in London’s West End. Many Londoners (especially the elderly) visiting the West End of an evening need to travel by car in order to get home at the end of the night as public transport link shut down and a taxi proves prohibitively expensive, not to mention those who live out of town.

Musicians like myself will find gigs in town (and we’re talking specifically about Soho, Covent Garden and Marylebone here) are no longer financially viable. The average common-or-garden jazz gig in town will pay between £40 and £80 per night. The extended parking charges would cost me an extra £20-£25 per night, not to mention the dreaded Congestion Charge if the soundcheck was before 6pm. Many London gigs would simply be wiped out as musicians and patrons are priced out of the West End by the sheer expense of the visit. I have no choice but to drive to gigs with all the large and heavy equipment I need to carry, plus the fact that I live out of town and have no easy access to public transport. I’m sure the last thing Westminster Council wants is for me to rock up at tube stations with a double bass and an amp. Not to mention the drummers… And at the end of the night when the tube and train services have stopped running, how are we meant to get home safely?

Dave Webster, of the Musicians’ Union, says

Musicians are often required to work unsociable hours and carry heavy and valuable instruments and equipment that makes it difficult and risky to use public transport.

Many of our members are self-employed and are not sufficiently well-paid to be able to afford the proposed extended parking charges.

Westminster Council have justified these planned measures by stating that it will keep traffic flowing through the capitol and raise up to 7 million pounds in additional revenue. They also state that many of the West End’s NCP carparks are empty of an evening. They obviously don’t know how much it costs to park there for a few hours. The amount of available spaces of an evening when you remove the single yellow spots from the equation simply do not add up. The whole plan smacks of money-grabbing with little or no regard for the visitors and workers that make that part of our city thrive of an evening.

This simply cannot be allowed to go through. I trust the Musicians Union and local businesses are doing all they can to prevent the charges coming into force before it’s too late.

The plans are currently set to go into place in December for an 18 month trial period. Just long enough to kill the West End…

Thought I’d write a quick post after spending a couple of hours this afternoon faffing about trying to customise the custom header on my Bandcamp page with the addition of an image map.

It’s actually much easier than at first it may seem and with just a few simple steps you can have your Bandcamp page integrating with your main website in a far more effective form. The addition of a custom url for your Bandcamp page means you can use the site as a shop-window for your music which forms part of your main website as a sub-domain. This is what many artists are doing now to promote their music, using their own site as a hub and using external sites such as Bandcamp for additional functionality.

This is how I created the image map…

First you need the actual image for the custom header. I did a screen grab (command-shift-4) from the home page on my main website. Here is the crucial piece of information (which cost me two failed attempts): Bandcamp custom headers are required to be between 975 pixels wide and 40-180 pixels tall. What I should have done was check the dimensions when I did the screen grab. Third time lucky…

Here is what my custom header looks like. I included the menu at the top so I could superimpose the image map later…

I then went to the excellent Image Maps site and uploaded the image. I shan’t bother to fully explain how to use the site as it is incredibly easy to figure out and simple to use. Basically once the image is uploaded you can create boxes around whichever blocks you want to add links to and away you go. Starts looking a little like this:

Once you’ve finished marking up the image, just click the Get Your Code button and copy the generated HTML code to your clipboard.

Then you hop over to Bandcamp and upload your custom header image on the main page. The final step is to go to your Profile page and paste the HTML into the Use an image map box in the Custom Header section.

Then you’re laughing.

Hope that was useful to somebody. This post could’ve saved me a good hour this lunchtime 🙂